T E S T
D R I V E
|
leavin’ on a jet plane "Don’t know when I’ll be back again."
ABOARD THE MOIRAThe Ingress has pulled you in. Your body experiences several sensations at once: being pushed forward as if a hand is resting on your back, momentary and startling blindness, a gentle ringing in your head. You have difficulty discerning whether it is hot or cold, but where you have been prodded is noticeably warmer than the rest of you. Some may suffer from dizziness while others are perfectly fine. Once equilibrium has been reestablished, you will notice you are standing on a long platform and that the room is filled with a soft cerulean light. It's slightly humid and dark despite the glow around you, and nothing is familiar. Shortly after, you are led out and toward the medbay. Inside this room, you are given a physical scan and offered a contract to sign that states you are now part of the crew of the Moira with a specific job. Any questions you might have would be answered in a straightforward manner as well as an explanation about how the Ingress, the thing that has pulled you onto the Moira, is broken and bringing people here unintentionally. This process also consists of a complete work-up of medical history and current health, and afterwards, you are given your MID, a device that is integrated into your hand or wrist with only the slightest pinch. From there, you are guided out of the medbay and to your living quarters. Whether adjusting to space travel has been difficult or not, there is always something to be done. From working to leisure, the Moira offers a multitude of opportunities to get to know your crewmates a bit better. Exploration of the ship is highly encouraged. You may notice a slight change in the artificial gravity every once in awhile; however, more noticeable changes can be found in overall morale of those of the crew.
☄ on your ownThere are plenty of other communal areas on the ship to explore! Pick a place, and see where it takes you. ( These scenarios can be used as in-game canon. ) The day begins normally. Or almost.
The Moira has accidentally fallen along the trajectory of an asteroid barreling its way through space. While most things like this are not uncommon, and the ship is far from any potential danger of collision or risk of debris damaging the exterior, there is something particularly odd about this specific occurrence. The rock itself appears to give off a strange light that is both eerie and alive. Often, if looked at in just the right manner, it will shift colors; so, while one person sees one side of the spectrum, someone else could see something entirely different. At first, things continue on as they usually do aside from the glowing asteroid alongside the Moira, but as the hours go on, that does not seem to be the case.
☄ the hours are breathingresignedly beneath the sky the melancholy waters lieWith a rather open view of stars and space, thanks to the skylight above, the pool in the rec area suddenly comes alive beneath the light of the asteroid filtering in. Perhaps it’s some natural response to the chemical composition of the water, or perhaps it’s magic. Yet, regardless of the explanation, those who happen to take a dip suddenly find themselves plagued by despair. The depression and melancholy are not subtle changes either; it slams into you with great force, like a punch to the gut. The longer you remain in the pool, the deeper it grows, like an all-consuming paranoia that settles into the back of your mind and causes your heart to grow heavy. These strong feelings will eventually fade if you choose to leave the pool and dry off, but as long as you remain damp from the pool, those emotions will continue to linger. Even after you’re completely dry, there will be no mistaking just how intensely you felt or why. There is no explanation and might not be. Would you dare a second swim to test whether or not it was a fluke? ( These scenarios can be used as in-game canon. )
☄ those who have crossedthe eyes are not here, there are no eyes hereThe walls are shrinking in. Every room you step into feels much too small, like there isn’t enough room to even breathe. A crowded place becomes startlingly empty, and no matter how much you run, how much you explore, there is no one there to comfort you or answer your calls for help. Hallucinations run strong between the lulls of obscene loneliness or claustrophobia, and exposure to the glow of the asteroid is really the only thing to thank for that. You’re desperate to claw your way out of the ship—open the emergency hatch in the Cargo Bay, bust the glass of the Observation Deck. What’s worse is that it’s not just you. It’s catching, and the fear of being next is very real. It feels like you’re being watched, that everyone around you is looking and seeing everything you are. Or are not. The only way to make it stop is to admit that you’re afraid of being seen, but who, in the deep madness of the self, has the courage to ever admit the truth? ( These scenarios can be used as in-game canon. )
☄ the sun in flightrage, rage against the dying of the lightSomething has drifted its way onto the Moira from the outside. Unlike the faint luminosity they give off, they suck up all the light around them, making them the only source to see by. From far away, they are just flitting balls of light, but if you get close enough to inspect them, they are mean. And have sharp, sharp teeth. Go poking, and they will bite you before trying to fly away while taking that only light source with them. The option to avoid them is quite easy if you’re not the curious sort, but without them around, it will be impossibly dark. As the asteroid moves on in the opposite direction of the Moira, these light creatures begin to dissolve and fade away with it. However, a word of caution: their bites glow. If you don’t manage to find the one that bit you and capture it between your hands, the bite will become a permanent glowing fixture of your body. ( These scenarios can be used as in-game canon. )
|
adam jensen | deus ex
those who have crossed (hallways);
wildcard;
on your own
It was, however, one of the few places a man could get some peace and quiet, well occasionally, there was an obvious draw for the crew to this place. Romantic might have been the term one might use, but Dorian wasn't quite so certain, not that he is thinking about it too hard. Right now his nose is buried in a book, where it usually is when things are quiet and he wasn't at all busy. So it takes him a moment to realize that there is a presence aboard the deck, and that presence had a form, and that form made him do a double-take.
The people he has seen since he's been here, it never fails to fascinate him how none of them can even remotely come close to resembling what he recognized. That is not a bad thing, it piqued the interest of the person inside of him who had to know things.
Dorian lowered his book, he wasn't one for long, awkward silences. He preferred awkward icebreakers instead.]
Lovely isn't it? Kind of makes you want to retch, yes?
no subject
Adam half-turns from his spot by the window and grunts in reply; it can pass for a laugh, if one's really generous!] Something like that, yeah.
[He hadn't done an especially thorough job acquainting himself with the ship's other passengers, but he'd seen enough of them to know he'd have to learn to expect all sorts – multiple universes and whatnot (he's still having a hard time believing it.) This guy's no exception; "dapper" is really the only word he has for him. Dapper and bookish, apparently.
Adam cranes his neck as if to try and catch a glimpse of the book's spine, though it's not yet apparent how he can see anything at all behind those shades of his.]
Looks like you know how to deal with it, though. [Going ahead and indicating the book in the man's hands with a slight nod of his head. There's the slight implication that Adam knows he – with his (frankly, terrible) whiskey and inclination to just stare out into the nauseating depths of space – is the one going about this the wrong way.]
no subject
Yes, I try not to stare too hard at the pretty white dots...and when you're used to this sot of thing? [Any sort of eeriness one can possibly imagine? Including, but not limited to bogs with dead bodies that walked around when the water was disturbed? This was almost pleasant.] It doesn't even register, though I do try not to spend too much time here by myself, I suppose that is the point. It is quiet, though, and that can be appealing.
[Invitation or no, Dorian gladly joins the stranger as if they hadn't just met. He was curious about the book, Dorian could tell that much even with the sunglasses, though his were odd. Dorian was used to it, or getting used to it, he knew a few men who wore such contraptions pretty much everywhere...and then Hawke discovered that they were good for hangovers.
Dorian still failed to see the point, but then again, he wasn't one to cover his face, he was too good looking for that. A given.
Leaning against the ledge and crossing them at the ankles, Dorian set the book down and slid it toward his companion so that he could properly read the cover "Swords and Shields."]
Literature, if you want to call it that, smutty literature. I read it for this [He flipped it to the back cover where there was a portrait of the author.] We're comrades and I like to give him a hard time over his terrible attempt at writing fiction.
[Dorian's a bad man.]
no subject
…Honestly, even if the man hadn't told him what the book was about, Adam probably would've gotten the gist just from glimpsing the cover. Incredibly, it looks exactly the way a trashy novel from his own world would look. Guess some things just don't change. Raising a brow – may I? – he picks up the book and leafs through a few pages at random, trailing over a sentence here or there.
Well. "Smutty literature." The guy certainly wasn't kidding.]
Funny. I know a guy like that, myself. [Poor Francis. As much as Adam thinks he and his scripts probably deserve it, getting five rejections from Picus TV is enough to elicit a wince from an even less sympathetic person than he is.] But I think your friend's efforts were more well-received.
Unless… [Halfway through skimming a particularly lurid passage, Adam shuts the book and places it back on the ledge where it belongs, front cover facing upwards. He taps it with a black, metal finger.] ...The five-star rating on the cover is just another part of his attempt at fiction?
no subject
I won't say that he doesn't have a target audience, there is something to be said for how well he's depicted his strong female lead. That's very attractive to strong women in my world...my only compliment. I am not sure I can properly understand the mechanics of ripping a bodice...those poor bursty women. [So why does Dorian persist in reading these novels? Obviously because he can't just stop, the only thing worse than terribly written smut was starting it and not seeing it to the disastrous conclusion.] I won't ask you if you'd like to borrow it, I have the entire collection, but I can tell you'd rather gnaw your own arm off. If only I had the courage, alas.
no subject
Nice of you to offer, but you're right – I can't say these are really my thing. [Not to mean books in general. He enjoys reading just about anything when he actually has the time, just… He's not sure he can read one of these and be capable of the same sort of morbid fascination that this guy evidently is. Adam would rather not watch a trainwreck, if he could help it.]
Adam Jensen, by the way. [He moves as if to offer his hand for a handshake – you know, the traditional way one greets another person upon meeting for the first time – but for a brief moment, an unreadable look passes over his face and he decides to pour himself another two fingers of rocket fuel instead.
It occurs to him, now, that he hasn't so much as given anyone a high five since the… Procedures. A veritable graveyard of shattered cups and glasses had been a testament to how difficult it was for him to learn to control the pressure his new limbs exerted on everything he touched. He's not sure he wants to try his luck with an actual flesh-and-bone human hand here, not quite yet.
Hopefully the guy doesn't notice.]
I'd offer you some [raising his glass with a slight grimace] but if I'm being real honest here, you'd probably be the one gnawing your own arm off if I did. Not a great way to make a first impression.
no subject
Fortunately there is a vast library in this place with books that will not threaten to disintegrate your brain. [Dorian is a glutton for punishment, what can he say? That Dorian can read this sort of thing objectively and with a straight face, it was a miracle, but he was well practiced. He was a noble after all, that's one of the first things they teach you- show no humor in the face of humor. Unfortunately Dorian's personality wouldn't allow him to be that bloody serious.]
Dorian of House Pavus, a pleasure. [Dorian was beginning to recognize the signs of a handshake and he was very observant, so no, it didn't escape his notice. He didn't remark on it, however, reason being that he was guilty of making faux pas when it came to customary greetings. If this was his first introduction to such a custom he might have kissed the extended hand instead.
Maybe it was caution, Dorian understood caution and so he offered his own greeting, an elegant bow at the waist, appropriate enough where he came from, less touching involved.]
Oh, I can't imagine anything being much worse than Dwarven ale [Dorian made no effort to conceal his humor] but, truth be told, I am more of a wine drinker. I'd probably end up observing the effects of that concoction on my nausea and end up drinking more than I'd want to...and then gnawing my arm off. We are quite attached to one another.
no subject
Cotillions are way outside his wheelhouse, though– and so he just kind of gives an awkwardly stiff nod to Dorian's bow, not knowing how else he's supposed to respond to that (doesn't matter, whiskey will solve this problem.)]
To neither of us having to lose an arm.
[Adam's never been great at toasts, and the irony of that one in particular definitely doesn't escape him. No matter how closely the sculpt of his arms mimic real human musculature, there's no mistaking the black metal and mesh polymers for anything but.
He knocks the drink back, grimace becoming all the more pronounced for it. A pause.] Sorry if this sounds insensitive. But you're talking about... Dwarves, right? Short, bearded guys who sing songs and mine all day?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
omg // those who have crossed
The last time she was caught unaware, it left her drugged and without a proper arm. Whoever the man is, he knows what he's doing, he's quick to act, and she understands clearly there's a threat to his words.
Though her dark, round sunglasses obscure her eyes, her mouth is set into a hard line.]
If you were any more of an idiot, you would've already murdered me, so I'd like to think there's some sense in that head of yours.
[Q-11, her robotic greyhound, growls loudly, angrily, glowing a menacing red and baring his metal teeth.]
I'm not tailing you, and if I were, you wouldn't know it, so don't flatter yourself. Q's not very happy you snuck up on us, so give me a damn good reason to not have him tear you apart and be glad to face whatever upper management deems adequate for my insubordination.
[Words, words, words. From the looks of it, Isha could never take him on physically. If she could, it'd be a test of speed and the most dirty play imaginable. There's no way she'd have any advantage outside of her perched far away and possibly taking control of his limbs, if she could access them the way she could back home.
No, Isha is nothing save for a new arm and a dog, but she's not going to let herself be intimidated. If anything, she stands taller, head high, all arrogance and an edge of simmering malevolence.]
are they BOTH wearing sunglasses in space, oh man what a trip
Adam doesn't quite give in to the prickling on the back of his neck (whatever it is that's telling him to just do it, close her eyes for good) and although the moment her weapon comes out, it looks as if he's about to respond in kind– no such response comes, save for a slight widening of his stance and a harder set to his jaw.
She certainly talks a good game. But Adam can recognize it for what it is – in there is a little bit of the way he might respond if he were in her situation. Just with way more posturing, he thinks, taking note of the overwhelming arrogance in her bearing. Thing is: the way he sees it, posturing's a good sign. Means that she's probably not as much of a threat as she wants to make herself out to be.
The "dog" still has teeth, though. So he's not going to drop his guard or let up just yet.]
Reason one, I'm not going to be the guy that gets sent to the principal's office on the first day of school. [A jerk of his head in the robot's direction.] Which is what's going to happen if you make me break that thing into pieces.
I just want some answers. If you're not following me, then what are you doing?
inDEED...... sunglasses in space squad...
Don't test us, neither of us are in the mood. He's heavier than he looks.
[The few times she's glad she's never made upgrades in that aspect. A heavier frame was slower, but it was more than welcome for her, who had not an incredible amount of physical strength.]
What I was doing was minding my own bloody business before I got jumped.
[She won't admit to the nagging sensation, the need to resort to complete violence and cold, hard ways.
Isha sighs, holding up both of her hands. The knife flips and slides back into its slot, invisible once more.] I'm willing to play nice if you stop threatening me and my dog. I can't fight you but I certainly can find a way to make your life miserable. Especially with everything you've got going on.
[And there's no posturing there, it's just a fact. She's got long years to back up the claim, none of which she'll ever admit in specifics.
There is, though, a certain lack of surprise. She's seen worse in terms of robotics and prosthetics. He's sleek, built for necessity and a certain level of refinement, no doubt in what she can see. As far as she can tell, there's only arms and something with the face and the eyes.]
What happened? Is that your own doing?
no subject
[She's… Kind of got a point, about him jumping her. No one was ever a threat to him by wandering aimlessly in a hallway until he came and found them, so why had he been so certain that she was?
That said, there's something different about that last threat of hers, but although Adam arches a brow above one dark lens, he doesn't comment on it quite yet. Better to sort everything else out first. Get his bearings again. When the knife disappears, so too does the aggression in the way he holds himself – the "muscles" of his arms, black and cord-like, seem to release some tension as well.]
What do you mean, "what happened?" What about you? [He indicates her own prosthetic with a nod.
There's a sudden testiness in his normally level tone that he's clearly not doing a great job of concealing, but even the past six months hasn't quite been enough time for him to completely come to terms with what was done to him. Having some complete stranger just blurt out questions about his augments like this… It rubs him the wrong way, and it shows.]
no subject
[It's... almost frightening. People who throw themselves off buildings for the sake of prosthetics. Hacking off limbs. Faking accidents. Luxury is too much of a source of desperation.]
So with your attitude and your prosthetics, I had to wonder. As for me. Ill-placed revenge.
[There's not much else to say on the matter, because it is what it is.
Even if it still does piss her off a little. She hides it though, as well as she can. Most in her time don't entirely care about their circumstances of their prosthetics.
But she does.]
If you're still willing to cooperate, come with me, I'll explain what I can. If not, all I can say is don't trust this place. We've been dealing with people and things turning to glass and I've been working overtime to get it fixed.
[Does the one instance alone afford paranoia? Maybe. Maybe not. Obi-Wan and Aurelia had been right. If this was the return from relaxation, what was this place like under high tension?
She should just kill the captains and be done with it.
An odd thought, she immediately recognizes...]
no subject
She might be surprised how little something like her story surprises him– but not everyone's a former cop like he is. Desperation drives people to do a lot of irrational things, but... He has to admit, he hasn't dealt with too many situations where people got augs because they needed money. Not willingly, anyway.]
Where I'm from, getting augmented is a good way to put yourself in medical debt for the rest of your life, unless you already have the means to pay. Insurance doesn't really cover it. [And even then, weekly Neuropozyne treatments can put a strain on even the deepest pockets.
A pause.] Your story sounds more familiar.
[And if she's really perceptive, a faint trace of sympathy might be audible in Adam's voice when he says that. Not sympathetic enough to share his own tragic backstory just yet, but it's a step forward.]
no subject
Between a strange series of moods and thoughts and the flashing of words and numbers, it's just simply too much.
So, smoothly, she removes her glasses, pushing them onto her head.]
What year are you from?
[Isha has plans to lead them at least to the observation deck or what's left of the mess hall. Somewhere open. Familiar as he may be, she has no intention of trusting him immediately.
And yes, she does pick up on the tone, but makes no mention of it. Something to consider.]
no subject
He folds his arms and snorts; it can sort of pass for laughter.] Not a question that I thought I'd ever have to answer.
2027. [And then, as an afterthought:] From Detroit.
[Does he have to specify "USA?" Though if he has to do that, he supposes, then it's not as if it's going to mean anything to her anyway.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
WEEPS OPENLY also hallways
Tailing you?
[he shakes his head, grinning a little uneasily.]
I haven't been tailing anyone, my man. I can barely see my own hand in front of my face! Don't think I could even if I wanted to.
ohhh no... i don't think i can be mean to lucio. ;[
Little does he know.]Drop the weapon and turn around. [At least he... Thinks that's a weapon, whatever the guy's got in his hand. Looks more like a megaphone, and naturally his retinal prosthesis has absolutely nothing useful to say about it (which is getting to be an annoying trend here on the ship.) And that leg gear... An exo-suit? Better to be safe than sorry.
Especially because, if Lúcio does end up turning around (since he's being asked so nicely!) he might be able to make out Adam, who's clearly unarmed. Though, to be fair, he does sort of constantly give off the impression that he doesn't need a gun in his hands to be dangerous.]
THIS IS YOUR TRUE TEST
I've just shown up...
[see! lúcio complies, anyway. he's seen enough trigger happy types when faced with vishkar security and he carefully puts the sonic amplifier down, keeping eye contact with adam.
he doesn't turn around, though. he doesn't seem too bothered at all, practically radiating calm.]
Did you just get here too? Kinda weird, right?
i'm not ready i'm not ready!!
"Kinda weird" about sums it up, yeah. [There's a faint trace of irony in his rasp – a hint that there's a person beneath that stone-faced mask – though the humor hasn't quite reached his face yet.
This level of calm isn't what Adam's expecting – his discomfort with the whole situation is a persistent prickle in the back of his skull (or is that something else?) Unbidden, the sense of weight of the pistol at his hip floats to the forefront of his awareness. Something unreadable passes over his expression, the hard lines of his face contorting with some internal struggle.
Too many mixed signals. That steadily shrinking, rational part of him is afraid of what he might do if this guy doesn't hurry up and do something to assuage his growing sense of paranoia – so Adam doesn't wait for him to turn around before stepping forward and bending down to make a grab for the weapon at his "hostage's" feet.
Careless, he'd normally call it, leaving himself open like that. But maybe the guy's got the sense not to try and start something (even if, right now, Adam happens to be missing that sense himself!)]
YOU'RE DOING GREAT SO FAR
Extremely weird. Hey, man, can I have your name? Mine's Lúcio. Looks like we're stuck here together.
[blinding optimism hasn't failed him yet!]
no subject
Adam. [Straightening and backing up a step or two, his reply's curt and flat-toned. His attention's elsewhere – on the gun he's now got in his hands.
Looks like he'd assumed right – up close, there's no mistaking this megaphone thing for anything but the weapon it is. Some sort of crowd dispersal tech, reminds him a little bit of a P.E.P.S., actually. And if this is anything like that is…
It takes Adam a few seconds to figure out how to expose the chamber, popping the top off and ejecting the energy pack (even more like a P.E.P.S. than he'd initially thought!) He pockets the little cylinder before turning the gun over in his hands, interest written clear in his motions. A few moments later, curiosity apparently satisfied, he casually chucks the unloaded weapon back at the guy.]
Interesting tech, Lúcio. Now, care to tell me how you ended up here?
no subject
[lúcio watches him with interest. it's not a great situation to be in, sure, but adam seems to be responding well to reason so far.]
Out the magic space portal. Still not entirely sure what's going on, if I'm honest. Just tryin' to make the best of a new situation.
no subject
But for all his earlier certainty, he's not getting the sense that the guy is lying now. Adam frowns.] You don't feel it, do you?
[He half-wonders if this itch in the back of his skull is just a symptom– a sign of malfunctioning augs. Or malfunctioning judgment. He finds that possibility even worse.]
Look, I'm not really sure what it is yet– but there's something out here. It's probably not safe for you to just be out and wandering alone.
[You know, lest some other upset and extremely augmented individual decides to jump the guy too.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)